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CV & Bibliography
     
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Jane Burton
Born Brisbane, 13th July 1966
   
Education
1991 Bachelor of Fine Arts Honours, Tasmanian School of Art, Hobart
1993 Honorary Research Associate, Tasmanian School of Art, Hobart
   
Residencies and Awards
2013 Art Gallery of New South Wales Studios in Paris Scholarship & Residency, Cité Internationale des Arts, Paris
2012 24HRArt International Residency Studio, Beijing, China
2011 Best Experimental Film Award, Three minutes Film Festival, Indiana, USA
2005 Australia Council Residency, London Studio
2003 Arts Victoria Development Grant
1993 Cite Internationale des Arts, Paris - Lloyd Rees Travelling Scholarship and Residency
   
Solo Exhibitions
2015 Devil's Playground, Heiser Gallery, Brisbane
2014 In Other Bodies, Bett Gallery, Hobart
  In Other Bodies, Karen Woodbury Gallery, Melbourne
2012 Other Stories, Heiser Gallery, Brisbane
  Other Stories, Bett Gallery Hobart, Tas
  Imitation of Life, video installation, India Art Fair, New Delhi
2011 White Stain, Karen Woodbury Gallery, Melbourne
  Under Water, video installation, Walker St Gallery and Arts Centre, Melbourne
  Imitation of Life, video installation, Screen Space, Melbourne
  White Stain, Rex Irwin Art Dealer, Sydney
  In the blood, Gippsland Art Gallery, Sale, Vic
2010 Ivy, Bett Gallery, Hobart
2009 Eye of the Beholder – A Twenty Year Survey Exhibition, Glen Eira City Council Gallery, Melbourne
  Ivy, Karen Woodbury Gallery, Melbourne
  Jane Burton, The Art Vault, Mildura
  Jane Burton, Heiser Gallery, Brisbane
2008 When under ether, Apartment, Melbourne
  Motherland, Rex Irwin Art Dealer, Sydney
  Motherland, Bett Gallery, Hobart
  Motherland, Johnston Gallery, Perth
2007 Wormwood, Heiser Gallery, Brisbane
  Tarraleah, video installation, Apartment, Melbourne
  Wormwood, Rex Irwin Art Dealer, Sydney
  Wormwood, Karen Woodbury Gallery, Melbourne
2006 under water, video installation, Apartment, Melbourne
  I did it for you, Johnston Gallery, Perth
2005 I did it for you, Centre for Contemporary Photography, Melbourne
  The Fall, Dickerson Gallery, Melbourne
2004 The Fall, Bett Gallery, Hobart
  Available Light, Dickerson Gallery, Sydney
2003 Available Light, Dickerson Gallery, Melbourne
  The Other Side, Dickerson Gallery, Sydney
2002 The Other Side, Crossley & Scott, Melbourne
2001 Badlands, Dickerson Gallery, Melbourne
2000 Cul-de-Sac, Dickerson Scott, Melbourne
1999 The Sweetest Path, Contemporary Art Services Tasmania, Hobart; and
Centre for Contemporary Photography, Melbourne
   
Selected Exhibitions
2015 Body parts, Art Gallery of New South Wales, Sydney
  Sex, Strange Neighbour, Melbourne
  Dissasemble/Reassemble: earth. wind. fire. water, Caboolture Regional Gallery, QLD
  Quiet Moments: Contemporary Poetic Photography, Fremantle Arts Centre, WA
2014 Gifted Artists: Donations by Patrick Corrigan AM, National Gallery of Australia, Canberra
  Liminal_Narratives, Gallery at Bayside Arts and Cultural Centre, Melbourne
  White Night Melbourne, Melbourne, Vic
2013 The University of Queensland National Artists' Self-Portrait Prize, The University of Queensland Art Museum, Brisbane
  I Spy – windows and doors in Art, Lake Macquarie City Art Gallery, NSW
  Under My Skin: Contemporary Australian Photography from the Corrigan Collection, Rockhampton Art Gallery, QLD
  The Dark Arts, Strange Neighbour, Melbourne
  Poets and Painters, Bett Gallery Hobart, Tas
  City of Hobart Art Prize – 25 Years, Tasmanian Museum and Art Gallery, Hobart
  Burqas, veils, and hoodies: identity and representation, Walker Street Gallery and Arts Centre, Melbourne
  Dark Nights, Maroondah Art Gallery, Melbourne
  The Shock of the Nude, Gippsland Art Gallery, Sale, Vic
2012 I am Heathcliff, Daine Singer, Melbourne
  Chromogenic 2012, Media House Gallery, Melbourne
  Encounters, Glen Eira City Council Gallery, Melbourne
  Things that go bump in the night, Walker Street Gallery & Arts Centre, Melbourne
  Fantastic Dreamland – Exhibition of Contemporary Australian Photography, Shanghai Urban Planning Exhibition Centre, Shanghai, China
  Man & Beast, Rex Irwin Art Dealer, Sydney
  BODY, Edmund Pearce, Melbourne
  Josephine Ulrick & Win Schubert Photography Award, Gold Coast Arts Centre, QLD
  Hits and Memories – Ten Years at the Academy Gallery, Academy Gallery, University of Tasmania, Launceston
2011 25 Years Bett Gallery, Bett Gallery, Tas
  People and Places, Heiser Gallery, QLD
  Josephine Ulrick & Win Schubert Photography Award, Gold Coast Arts Centre, QLD
2010 Gaze: People, Relationships and Place, Redland Art Gallery, Cleveland, QLD
  William & Winifred Bowness Photography Prize, Monash Gallery of Art, Vic
  The Ipswich House: Heritage house portraits by contemporary Queensland artists, Ipswich Art Gallery, QLD
  Melbourne International Art Fair (with Rex Irwin Art Dealer), Royal Exhibition Building, Melbourne, Vic
  Souvenirs: Tasmanian School of Art, Rosamund McCulloch Studio, Cite Internationale des Arts, Plimsoll Gallery, Centre for the Arts, Hunter St, Hobart
  2010 National Photography Prize, Albury Art Gallery, NSW
  Double Exposure, Blackfriars Off Broadway, Sydney
  Dark Dreams + Fluorescent Flesh, 24HR ART, NT Centre for Contemporary Art
  Josephine Ulrick & Win Schubert Photography Award, Gold Coast Arts Centre, QLD
  Silent Spaces, Macquarie University Art Gallery, Sydney
  Darkness Creeps, Hazelhurst Regional Gallery & Arts Centre , NSW
2009 William & Winifred Bowness Photography Prize, Monash Gallery of Art, Vic
  Redlands Westpac Art Prize, Mosman Art Gallery, Sydney
  The Lake, Australian Centre for Photography, Sydney
  A Secret Life of Plants, Linden – Centre for Contemporary Art, Melbourne; and Fremantle Arts Centre, Perth
  +/-, Switchback Gallery, Gippsland Centre for Art & Design, Monash University, Churchill, Vic; and Faculty Gallery, Faculty of Art & Design, Monash University, Caulfield, Vic
  Heads, Rex Irwin Art Dealer, Sydney
  Trace Elements: spirit and memory in Japanese and Australian photomedia, Performance Space, Sydney
  Dark Dreams + Fluorescent Flesh, South Australian School of Art, Adelaide
2008 Primary Views: Artists Curate The Monash University Collection, Monash University Museum of Art, Melbourne
  Neo goth: back in black, The University of Queensland Art Museum, Brisbane
  Trace Elements: spirit and memory in Japanese and Australian photomedia, Tokyo Opera City Art Gallery, Tokyo
  FX in Contemporary Photography, McClelland Gallery and Sculpture Park, Vic
  Decor, Glen Eira City Gallery, Melbourne
  Important Works on Paper, Rex Irwin Art Dealer, Sydney
  Can't Take My Eyes Off You, Rooftop Cinema, Melbourne
  Figure in a Landscape, Rex Irwin Art Dealer, Sydney
2007 National Photographic Portrait Prize, National Portrait Gallery, Canberra
  William and Winifred Bowness Photography Prize, Monash Gallery of Art, Vic
  City of Hobart Art Prize, Tasmanian Museum and Art Gallery, Hobart
  The Last Thing I Remember... Jane Burton, Lily Hibberd, Brie Trenerry, University Art Gallery, The University of Sydney
  Australian Works on Paper, Rex Irwin Art Dealer, Sydney
2006 Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund, The Ian Potter Centre, National Gallery of Victoria, Melbourne
  Salon, Bett Gallery, Hobart
  The Last Thing I Remember... Jane Burton, Lily Hibberd, Brie Trenerry, Switchback Gallery, Gippsland Centre for Art and Design, Monash University, Vic
  William and Winifred Bowness Photography Prize, Monash Gallery of Art, Vic
  Black and White, Dickerson Gallery, Sydney
2005 The Sea, Rex Irwin Art Dealer, Sydney
  Art for Science, Nellie Castan Gallery, Melbourne
  Opening Exhibition, Johnston Gallery, Perth
  Loaded, Gallery 101, Melbourne
  The Naked Truth: A Photographic Exploration, Dickerson Gallery, Melbourne
2003 Good Looking: Narrative Photographs Past and Present, National Gallery of Victoria, Melbourne, Touring Exhibition
  National Trust S.H. Erwin Gallery, Sydney
  Boogy, Jive and Bop, Academy Gallery, University of Tasmania, Launceston
  Anxious Bodies, Art Gallery of New South Wales, Sydney
  Australian Photographic Portrait Prize, Art Gallery of New South Wales, Sydney
2001 Between Place and Non-Place, Victorian College of the Arts Gallery, Melbourne
  Hutchins Contemporary Art Prize, Salamanca Arts Centre, Hobart
2000 Spooky, Glen Eira City Gallery, Melbourne
  Moral Hallucination: Channelling Hitchcock, Museum of Contemporary Art, Sydney
  Landscape, First Floor Gallery, Melbourne
1999 "F"- Divergent Abstraction and the Photographic Project, Plimsoll Gallery, Centre for the Arts, University of Tasmania, Hobart, National Touring Exhibition
  Rosamond, Plimsoll Gallery, Centre for the Arts, University of Tasmania, Hobart
1998 Respond Red or Blue, Royal Melbourne Hospital, Melbourne International Festival
  Everyday, Glen Eira City Gallery, Melbourne
  Private Parts, Monash University Museum of Art, Melbourne
  Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide
1997 Episodes, Contemporary Art Services Tasmania, Hobart, National Touring Exhibition
1996 City of Hobart Art Prize, Carnegie Gallery, Hobart
1995 Bad Light, Bond Store, Tasmanian Museum and Art Gallery, Hobart; Launceston University Gallery; Australian Centre for Photography, Sydney; Centre for Contemporary Photography, Melbourne; Horsham Regional Gallery, Vic
  Colonial Past-time to Contemporary Profession: 150 Years of Australian Womens' Art, Tasmanian Museum and Art Gallery, Hobart
1994 Recent Acquisitions, Tasmanian Museum and Art Gallery, Hobart
1993 Incorporeal 4: Scrounge Time, Plimsoll Gallery, Centre for the Arts, University of Tasmania, Hobart
  The Honeymoon Killers, Chameleon Contemporary Art Space, Hobart
1992 Collecting Art: Critics Choice, Macquarie Galleries, Sydney
  This Sweet Sickness, Fine Art Gallery, University of Tasmania, Hobart
1991 Lust, Plimsoll Gallery, Centre for the Arts, University of Tasmania, Hobart
  First National Student Art & Design Exhibition, Royal Exhibition Bldg, Melbourne
   
COLLECTIONS & ACQUISITIONS
  National Gallery of Australia
  The Wesfarmers Collection, Western Australia
  Queen Victoria Museum and Art Gallery at Inveresk, Tasmania
  Gippsland Art Gallery, Sale, Vic
  Trinity College, Melbourne
  Ipswich Art Gallery Collection, Queensland
  Gold Coast City Gallery, Queensland
  RACV Art Collection, Victoria
  Artbank
  Art Gallery of New South Wales, Sydney
  Edith Cowan University, Perth
  Glen Eira City Council, Melbourne
  Macquarie Bank, Sydney
  Murdoch University, Perth
  Sovereign Art Foundation, Hong Kong and London
  Monash University Museum of Art, Melbourne
  Monash Gallery of Art, Melbourne
  Newcastle Region Art Gallery, New South Wales
  National Gallery of Victoria
  Australia Post
  Tasmanian Museum and Art Gallery, Hobart
  Private Collections in Australia and internationally
   
   
Selected Bibliography
2015 Jack Sargeant, 'Sex: Observations and Notes', catalogue essay, Strange Neighbour, Melbourne
  Stephen Maine, 'Time Lapse', catalogue essay, Freemantle Arts Centre, WA
2014 Frances Lindsay, 'Liminal_Narratives', catalogue essay, The Gallery at Bayside Arts & Cultural Centre, Melbourne
  Stephen Goddard, 'I Spy', catalogue essay, Lake Macquarie City Art Gallery, NSW
  Robert Nelson, 'Lusty turns lurid in twisted display', Visual Arts, The Age, April 23
  Dan Rule, 'Jane Burton: In Other Bodies', In the galleries, The Age, April 26
  Ingrid Periz, 'Sightless', catalogue essay, Karen Woodbury Gallery, Melbourne, 2014
  Katya Wachtel, 'Making Art in the Shower for White Night', Broadsheet, Melbourne, Feb 21, 2014
2013 Samantha Littley, 'The University of Queensland National Artists' Self-Portrait Prize: remix.post.connect', catalogue essay, UQ Art Museum, QLD
  Diana Warnes, 'Under My Skin', catalogue essay, Rockhampton Art Gallery, QLD
  Rebecca Fitzgibbon, 'Hobart's Cultural Renaissance', catalogue essay, City of Hobart Art Prize 2013
  Linsey Gosper, 'The Dark Arts', catalogue essay, Strange Neighbour, Melbourne
  Dr Wendy Garden, 'Dark Nights', catalogue essay, Maroondah Art Gallery, Vic
  David O'Halloran, 'Burqas, veils, and hoodies: identity and representation', catalogue essay, Walker Street Gallery and Arts Centre, Melbourne, June 2013
2012 Acme Studios, ‘Time & Vision: Australia Council for the Arts London Residencies 1992 - 2012’, book published by Acme Studios, London, UK, 2012
  Daine Singer, ‘I am Heathcliff’, essay, Daine Singer, Melbourne, 2012
  Christine Morrow, ‘Badlands’, Australian Art Collector, Issue 62 Oct-Dec 2012
  Maurice Ortega, ‘Exhibition review/ Jane Burton’, Lucida online magazine, Aug 31
  Pedro de Almeida, 'M.33 Three Books series', Artbooks, Art & Australia, Vol 50/1, 2012
  Peter Timms, 'Hits & Memories', catalogue essay, Academy Gallery, Academy of the Arts, School of Visual & Performing Arts Launceston, University of Tasmania
  Bronwyn Watson, 'Public Works – Jane Burton: MacFarlane's House, Ipswich Art Gallery Collection', Visual Arts, Review, The Weekend Australian, Feb 4-5 2012
2011 Ingrid Periz, 'Other Stories', essay, Other Stories, 3 Books series, Published by M.33
  Ashley Crawford, 'Silenced Wonderland: Jane Burton's Contemporary Photography', Art Wall, Issue 2, 2011, Shanghai International Culture Association, China
  Edward Colless, 'Imitation of Life', catalogue essay, Screen Space, Melbourne
  Simon Gregg, 'New Romantics: Darkness and Light in Australian Art', published by Australian Scholarly Publishing, Melbourne, 2011
  Bridget Cormack, 'Light out of Darkness', Arts, The Australian, Oct 26, 2011
  Brett Ballard, 'Jane Burton: White Stain', Preview, Artist Profile, Issue 15, 2011
  Simon Gregg, 'Jane Burton: In the blood', catalogue essay, Gippsland Art Gallery, Sale, Vic
2010 Alison Kubler, 'Gaze: People, Relationships and Place', catalogue essay, Redland Art Gallery, Cleveland, QLD
  Anne Marsh, 'THE BODY: And Performative Photography', LOOK: Contemporary Australain Photography since 1980, published by Macmillan, Melbourne 2010
  David O'Halloran, 'within', Apartment Books, Melbourne, publication by David O'Halloran and Mana Kawasaki, 2010
  Tasha Finn, 'MacFarlane's House: Jane Burton', catalogue essay, The Ipswich House: Heritage house portraits by contemporary Queensland artists, Ipswich Art Gallery QLD
  Sandy Edwards, 'Double Exposure', catalogue essay, Double Exposure, Viscopy, Blackfriars off Broadway, NSW
  Brett Ballard, 'Jane Burton', catalogue essay, Four Women, Melbourne Art Fair 2010
  Ashley Crawford, 'Innocence and Intoxication: The work of Jane Burton', Eyeline, #70, 2009
  50 Most Collectable Artists 2010, Australian Art Collector, Issue 47 January
2009 Natalie King, 'Fatal Attraction', Photofile, No 88, Dec 09 – March 10, 2009
  Anna MacDonald, 'Eye of the Beholder', review, Flash, Issue 3, 2009
  Dr Marcus Bunyan, 'Jane Burton, 'Ivy', at Karen Woodbury Gallery, Melbourne', Art Blart blog, 23 September 2009
  Helen McDonald, 'Inhabiting illusions', catalogue essay, Eye of the Beholder, Glen Eira City Council Gallery, Melbourne, 2009
  Diane Soumilas, 'Private encounters', catalogue essay, Eye of the Beholder, Glen Eira City Council Gallery, Melbourne, 2009
  Robert Nelson, 'Grabbing our attention', The Age, 23 September 2009
  Betty Milonas, 'A Secret Life of Plants', Artlink, Vol 29 #2, 2009
  Ric Spencer, 'Weeds of bloom town', Today, The West Australian, 19 June
  Mimi Kelly, 'Dark Dreams + Fluorescent Flesh', Dark Dreams & Fluorescent Flesh, catalogue, SASA Gallery, University of South Australia
  Adrian Martin, 'Sex Neurosis', Dark Dreams and Fluorescent Flesh, catalogue, SASA Gallery, University of South Australia
  Ashley Crawford, Reviews: 'Dark Dreams + Fluorescent Flesh', Photofile, Issue 86 March – June 2009
  Andrew Gaynor, 'A Secret Life of Plants: One person's pleasure is another one's weed', catalogue essay, A Secret Life of Plants, Linden – Centre for Contemporary Art
  Ingrid Periz, 'Acquisitions: Jane Burton', Australian Art Collector, Issue 47 January – March 2009
2008 Gail Priest, 'Time slips in an other place', Real Time Dec - Jan 2009
  Olivier Krischer, 'Reflections on a Particular Moment – Do you see what I see?', Tablog, Tokyo Art Beat 20 Sept 08
  Ashley Crawford, 'Gothic Candour: "I am the coffin that will not be silent"', Art Monthly Australia #216 Dec 08 – Feb 09
  Ashley Crawford, 'Found in Translation: Australian Art in Tokyo', Photofile #85 Dec 08 – March 09
  Shihoko Iida, 'Contemporary Trace Elements', catalogue essay, Trace Elements: spirit and memory in Japanese and Australian photomedia, Tokyo Opera City Art Gallery
  Bec Dean, 'Trace Elements: Australian Artists', catalogue essay, Trace Elements: spirit and memory in Japanese and Australian photomedia, Tokyo Opera City Art Gallery
  Louise Martin-Chew, 'Neo-Goth Shadows Loom Large', catalogue essay, neo goth: back in black, University of Queensland Art Museum
  Rosemary Sorenson, 'How death becomes you', The Australian, 1st August
  Alicia Bridges, 'Childhood Dreaming', The Sunday Times, WA, 8 June
  Penny Teale, 'FX in Contemporary Photography', catalogue essay, FX in Contemporary Photography, McClelland Gallery and Sculpture Park, 2008
  Ashley Crawford, 'Trace Elements: spirit and memory in Japanese and Australian photomedia', Photofile No 83 Winter
2007 Clara Iaccarino, 'Wormwood', Sydney Morning Herald, 28-29 July
  Robert Nelson, 'Humanity takes over where nature's cold branches can't reach', The Age, 20 June
  Jeff Makin, 'Sensuality on the dark side', Herald Sun, 11 June
2006 Isobel Crombie, 'Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund', exhibition publication, National Gallery of Victoria
  McCulloch's Encyclopedia of Australian Art, Aus Art Editions in association with Miegunyah Press
  Kyla McFarlane, 'The Last Thing I Remember... Jane Burton, Lily Hibberd, Brie Trenerry', catalogue essay, The Last Thing I Remember... Jane Burton, Lily Hibberd, Brie Trenerry, Monash University Museum of Art, 2006
  Kyla McFarlane, 'Jane Burton: I did it for you', Photofile No 77 Autumn
  Ashley Crawford, 'Dark Thoughts', I did it for you, catalogue essay, Johnston
Gallery, 2006
2005 Daniel Palmer, Book Editor, Photogenic: Essays/Photography/CCP 2000-2004,Centre for Contemporary Photography, publication
  Ashley Crawford, 'Jane Burton: I Did It For You', The Age, Preview, 4 December
  Catriona Moore, 'Decoration, Aspiration and Nostalgia: Contemporary Australian Photography', Art and Australia, Vol 42 No 3
  Felix Ratcliffe, 'Jane Burton: The Fall', Photofile No 74 Winter
  Ashley Crawford, 'Loaded', Previews, Australian Art Collector, Issue 32 April - June
  Victoria Hammond, 'The Fall', catalogue essay, The Fall, Bett Gallery, Hobart
2004 Ashley Crawford, 'Shadowlands', Australian Art Collector, Issue 28 April - June
  Magda Keaney, 'Jane Burton: Available Light', Photofile, No 71 Winter
2003 Lucinda Strahan, 'Perfect Point of Light', The Age, 9 October
  Ashley Crawford, 'Art of Darkness', The Age, 28 September
  Ashley Crawford, 'Moods in Light', Business Review Weekly, June 12 -18
  Natasha Bullock, 'Anxious Bodies', catalogue essay, Anxious Bodies, Art Gallery of New South Wales, 2003
2002 Daniel Palmer, 'Icons and Other Pictures: The Photograph in the Art Market', Australian Art Collector, Issue 21, July - September
  Chris Chapman, 'Australia's 50 Most Collectable Artists', Australian Art Collector, Issue 19, January - March
2001 Ashley Crawford, 'Now You See It...', The Age, Review, December
  Daniel Palmer, 'Between Place and Non-Place', Photofile, No 62, April
  Daniel Palmer and Kate Rhodes, 'Between Place and Non-Place', catalogue essay, Victorian College of the Arts and Centre for Contemporaray Photography, 2001
2000 Helen McDonald, 'Erotic Ambiguities: The Female Nude in Art', Routledge Press UK
  Samantha Morris, 'Absence Minded', Black & White, October
  Robert Nelson, 'Lust for Art', The Age, Review, 28 August
  Ashley Crawford, 'Undiscovered Artists: Jane Burton', Australian Art Collector, Issue 12, April - June
1999 Edward Colless, 'The Sweetest Path', Photofile, No 57, Sept
  Ian McLean, ''F" is for Art', Siglo, Issue 11
  Jonathan Holmes, 'The Paris Studio', Rosamond, catalogue essay, Plimsoll Gallery, Centre for the Arts, University of Tasmania, 1999
1998 Kevin Murray, 'All This and Heaven Too', 1998 Adelaide Biennial of Australian Art, Artlink, Vol 18 No 2
  Natalie King, 'Private Parts', catalogue essay, Private Parts, Monash University Gallery, 1998
  Marie-Louise Hillcoat, 'The Hospital Autopsy: Opening up the Aesthetics of the Medical Gaze', catalogue essay, Respond Red or Blue, The Melbourne Festival 1998
  Ewen McDonald, 'Invention or Symbol? Tracing Shapes in the Dark', catalogue essay, All this and Heaven Too, 1998 Adelaide Biennial of Australian Art, Art Gallery of South Australia
  Edward Colless, 'Jane Burton - Royal Derwent Hospital Suite', catalogue essay, All This and Heaven Too, 1998 Adelaide Biennial of Australian Art, Art Gallery of South Australia
1996 Helen McDonald, 'Feminising the Surreal', Art and Australia, Vol 34 No2
1995 Jennifer Spinks, 'Bad Light', Art and Australia, Vol 32 No 4
  Clifford Davey, 'Bad Light: Through a Glass Darkly', Review, Contemporary Art Tasmania, Issue No 7 1995
  Ian McLean, 'Bad Light', Agenda, No 42, May
  Edward Colless, 'Ghosting', Photofile, No 44, April
1994 Victoria Hammond, 'Trapped in Paradise', Artlink, No 1 Vol 14
1993 Edward Colless, 'From the Edge of the World', Art and Australia, June
1992 Amanda Henry,'Sweet Sickness', Photofile, No 37, Nov
  Clifford Davy, 'Like always, I persuade you...', catalgue essay, This Sweet Sickness, published by Jane Burton and Jane Eisemann 1992
1991 Peter Hill, 'Lust', Art and Text, # 40, Sept
   
   
 
 
 
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